
Echo Chambers: When One Face Isn't Enough
Echo Chambers didn't start as one face. It started as four or five, all fighting for the same square foot of canvas, and me refusing to pick just one.I kept layering them, overlapping the eyes of o...

Calypso: Finding a Face in the Wood Grain
Some pieces start with an idea. Calypso started with the wood.I'd been staring at a sheet of birch panel for longer than I probably needed to, thinking about how much of the grain I wanted to keep ...

VooDoo Guey: A Love Letter to the Dance Floor
VooDoo Guey exists because of one song, played at the right volume, at the right time, on a night I still think about.The title's a play on "Voodoo Ray," the A Guy Called Gerald track that's been a...

Totem BWR Face: Down to Black, White, and Red
Totem BWR Face is the piece where I made myself stop. Every color I could have added, every extra line I could have drawn, I didn't.BWR is exactly what it sounds like, black, white, red, and nothin...

Zenith: Finding Stillness in the Gaze
A single gaze, painted at its peak. Why the eyes in Zenith carry the whole piece.
